Valentoonce.

OK, so my Valentine Blip dropped on Billy Jam's show the other day, and I don't at present have data to make any assumptions about whether people got what I was going for. Billy told me that he got some good comments on it, but I don't know what those were. Some of the comments on the page for the show are interesting: Someone says that the music was taking them back to the 80s, to "high-school." Yes, that's what I was going for. But then did they further get that the songs kept getting more and more recent, and the points-of-view more, erm, disillusioned? Pointing to what one assumes is the tragedy of the whole thing, the narrator who comes in periodically with "Love Tried to Welcome Me"? Let's have a listen to the blip. Hopefully you'll be able to download it from here:



So basically it's a "love story" of sorts, or rather the story of someone who failed to find love, or whatever. Listen to just the songs and I think that's what you'd get. But listen to the song that glues them all together: "Love Tried to Welcome Me." I've always connected to this song, sometimes for the melodrama but mainly because it took an unusual stance: The singer actively disavows Love. Even though he or she may lament his condition, and even admist to being "drawn to sadness," which doesn't indicate being drawn away from Love, but rather could allude to other things, a blueish temperament, perhaps----s/he may do this, but s/he still revels in the lyric, "Love tried to break me" as if it's a success or victory, which it may be. How would we know? So I think when it comes down to it, the song reveals a profound ambivalence about the idea of love, especially "modern" Love. If you look it like that, then you can see a progression in the songs: the first songs in the blip are filled with echo and are effected weirdly and are extreme examples. (Authentic ones, though: "I Love You Just the Way You Are" has a valentine connotation to me because it was on the car radio when my sister and I were so excited to open our li'l heart-shaped boxes of red hots. We must've thought valentine's day was the cat's pajamas. I think I did for a few years.) Then the songs get from middle-to-high school, and they're tinnier, with the bottom end rolled off and the pitch is higher, to make them sound bubble-gummy, and they all sound very naive. The last part of the songs are just a fast forward through disillusionment, since I didn't have time to really build the last chapter. "I Can't Make You Love Me" is the best of the series, but it didn't follow as well as I'd liked. Because who hasn't felt something like that before, really? For comic relief I ended with Creep and then burped in my "extro."

So it's sort of two narratives: an exaggerated one where all this experience with love leads to ambivalence, and an ambivalence that was always there, but manifested in certain ways until the person just eventually accepted his former emotional responses were inauthentic but it serves to elucidate the process by which they become authentic. Hmm, I'm probably not making sense and should be listening to Karpe right now, but there you go. And here's the song itself, that I stitched together from ther various parts. I call It "Love Tried to Lower My Formants" because I lowered the formants on the main voc without changing the pitch, and it's what makes it sound awesome. Click here and hopefully you'll be able to download it without registering.

Hmmm, that's all I can think of right now. Valentine's Day isn't worth discussing (cuz I mean, what would I do, right? It was Saturday: I slept in, I read, I walked around. No differnt from any other good weekend day). Nothing much else is happening. I'll hopefully be in between stuff for a while.

BLOMP!
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